Author Archive

Marie Lloyd, Dr Crippen and the Bedford Music Hall in Camden

Friday, August 14th, 2009
Marie Lloyd at home in 1921, a year before she died.

Marie Lloyd at home in 1921, a year before she died.

There is a strange, but rather brilliant documentary, directed in 1967 by Norman Cohen, called The London Nobody Knows, the beginning of which features a slightly incongruous James Mason, in very smart polished shoes, gingerly stepping over the literally putrefying remains of an old music hall theatre.

The building was the Bedford Music Hall on Camden High Street and it was said to be Marie Lloyd’s favourite place to perform. Unfortunately the theatre closed permanently in 1959 and the sad, rotting building was eventually demolished ten years later. Two years after nearly ruining James Mason’s brogues.

Excerpt from The London That Nobody Knows

At one point in the film James Mason mentions, with a wry smile on his face, that an early regular performer at the Music Hall may well have still been haunting the place -- a local singer called Belle Elmore.

Elmore’s stage career was relatively unsuccessful and her name is unknown to most of us today, especially as a Music Hall artiste. However, after her death in 1910 she achieved notoriety throughout the land, not as a singer, but as the murdered wife of the infamous Dr Hawley Harvey Crippen.

The Bedford Theatre in 1949

The Bedford Theatre in 1949

Belle Elmore in 1900, ten years before she was murdered by her husband.

Belle Elmore in 1900, ten years before she was murdered by her husband.

Dr Crippen

Dr Crippen

Before the infamous Doctor had murdered Elmore and subsequently burnt her bones in the oven, dissolved her internal organs in an acid bath, buried what was left of the torso under bricks in the basement and placed her decapitated head in a handbag which was subsequently thrown overboard on a day-trip to Dieppe, the married couple lived at 39 Hilldrop Crescent. It was quite a salubrious address about a mile from the Bedford Music Hall.

Hilldrop Crescent near Holloway in 1910

Hilldrop Crescent near Holloway in 1910

Dr Crippen is notorious, of course, for being the first murderer to be arrested with the use of telephony when, during an attempted escape to Canada on the SS Montrose with his young lover Ethel Le Neve, Captain Henry George Kendall sent a telegraph back to England saying:

Have strong suspicions that Crippen London cellar murderer and accomplice are among saloon passengers. Moustache taken off growing beard. Accomplice dressed as boy. Manner and build undoubtedly a girl.

Chief Inspector Dew, who had already once interviewed Crippen and initially decided that he was innocent, took the faster White Line steamer -- the SS Laurentic -- to Canada. On the 31 July 1910 the Inspector greeted the couple when they met him on the ship:

Good morning, Dr Crippen. Do you know me? I’m Chief Inspector Dew from Scotland Yard.

After a pause, Crippen replied,

Thank God it’s over. The suspense has been too great. I couldn’t stand it any longer.

Crippen then held out his arms for his handcuffs. Dew later recalled:

Old Crippen took it quite well. He always was a bit of a philosopher, though he could not have helped being astounded to see me on board the boat. He was quite a likeable chap in his way.

Chief Inspector Walter Dew

Chief Inspector Walter Dew

Dr Crippen being led off the SS Montrose, seemingly by one of the Thompson twins but more likely by Chief Inspector Dew

Dr Crippen being led off the SS Montrose, seemingly by one of the Thompson twins but more likely by Chief Inspector Dew

Ethel Le Neve circa 1910

Ethel Le Neve circa 1910

The final resting place of a bit of Belle Elmore

The final resting place of a bit of Belle Elmore

The Hallway at 39 Hilldrop Crescent

The Hallway at 39 Hilldrop Crescent

Crippen and Ethel Le Neve were tried separately by the Central Criminal Court at the Old Bailey and Crippen, likeable philosopher or not, was found guilty after just 27 minutes by the jury and subsequently hanged at Pentonville prison in November 1910. Ethel Le Neve, however, was acquitted and only died in 1967 -- not long after James Mason was filmed exploring what was left of the Bedford Music Hall.

The Old Bailey during the trial of Dr Crippen August 10th 1910

The Old Bailey during the trial of Dr Crippen August 10th 1910

James Mason in his piece about the old theatre in Camden failed to relate that only nine years after Marie Lloyd’s fiftieth birthday celebrations (which were incidentally held at the Bedford), and seven years after her death in 1922, the comic-actor Peter Sellers actually lived at the Bedford with his mother and grandmother in a rented flat above the entrance in Camden High Street.

Sellers’ mother was performing at the Bedford in a production called ‘Ha!Ha!!Ha!!!’ along with his father. When the revue finished, Peter’s father Bill suddenly decided to leave home forever, leaving Peter, his mother, and grandmother to totally fend for themselves while still living upstairs at the theatre. Sellers may well have been still living in the flat above the Bedford when he performed, at the age of five, with his mother in a revue called Splash Me! at the Windmill theatre in Great Windmill Street.

The Bedford Theatre’s fortunes eventually declined and, like many other theatres and converted cinemas in London, it eventually capitulated to its unavoidable fate when it fell dark completely in 1959.

Bedford House on Camden High Street

Bedford House on Camden High Street in 2007

Dr Crippen’s old address, 39 Hilldrop Crescent, was spared the indignity of being demolished at the whim of a sixties Camden council planning meeting, but only because it was destroyed by a bomb in the Second World War. It was replaced, like so many other buildings, by a nondescript block of flats. Another nondescript block was built to replace the Bedford Theatre. It is still known as Bedford House though.

39 Hilldrop Crescent today

39 Hilldrop Crescent today

Marie Lloyd and Claire Loumaine 1913

Marie Lloyd and Claire Loumaine 1913

If Heat magazine, or perhaps Perez Hilton, had existed before the First World War they would have surely printed the picture above which features a 43 year old Marie Lloyd embracing and kissing a woman called Claire Loumaine. The photograph was taken on 25th April at Paddington Station where the music hall star had gone to meet Loumaine on her return from Australia.

Does anyone know who Claire Loumaine is? I can’t find anything about her at all.

Nine years after Marie Lloyd greeted her close friend off the train at Paddington the music hall star collapsed on stage during a rendition of one of her most famous songs I’m One of the Ruins That Cromwell Knocked About a Bit. The crowd continued laughing thinking that the staggering around that preceded the fall was all part of her act. Lloyd was desperately ill however, and died soon after on 7th October 1922. One hundred thousand people were reported to have attended her funeral five days later in Hampstead.

A twenty year old Marie Lloyd in 1890

A twenty year old Marie Lloyd in 1890

Marie Lloyd -- A Little Of What You Fancy Does You Good

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The Disappearance of the Author Adam Diment

Saturday, August 1st, 2009
The author Adam Diment in 1967 with two lovely ladies.

The author Adam Diment in 1967 with two lovely ladies.

The October 1967 edition of Michael Heseltine’s Town magazine featured an interview with the fashionable twenty-three year old author Adam Diment. In it, he said that he was:

“hoping to move from his Fulham Road flat to trendy King’s Road, where his tight pink trousers and matching floral shirt will be more appreciated.”

In the late sixties moving a few hundred yards from one area of west London to another was like travelling to a different country. Diment knew he had enough money to make the move because after the publication of his first novel The Dolly, Dolly Spy, Diment suddenly became the most talked-about author in town. That year Publishers’ Weekly wrote about the novel:

A kinky, cool mod flare that is outrageously entertaining….If you appreciate clever plotting, plenty of excitement, sex at its most uninhibited, a dollop or two of explicit sadism, Adam Diment is a name to remember.

Except he wasn’t, and Diment is almost totally forgotten about these days. He wrote three more books – The Spying Game and The Dolly, Dolly Birds which were both published in 1968 and a fourth novel Think Inc that was published  in 1971. After which, suddenly, he completely disappeared from public view.

His four novels, although relatively entertaining, are hugely dated these days and are peppered with the era’s casual sexism and racism that occasionally make the James Bond novels appear as if they were written by Andrea Dworkin.

“Despite her lovely body it was her face which had me hooked. I do not belong to that philistine philosophy which propounds the ‘put a sack over their heads and they’re all the same’ nonsense. I like to watch something pretty and interesting when collecting my oats, and her face is certainly that. At present she was doing a languorous chameleon change from perplexed to pout.” - The Bang Bang Birds

“She was wearing her latest acquisition, bought in a boutique in King’s Road which is a cross between an Eastern bazaar and a rugger scrum. It was very short and covered with overlapping blue and yellow flowers. Over her heart, which was almost visible because it was as low at the breast as it was short at the thighs, was a bright pink heart…as she was so brown, she had given up wearing stockings. Veronica was about as naked as you can get these days without being nicked for indecency.” - The Dolly, Dolly Spy

The Bang Bang Birds published in 1968

The Bang Bang Birds published in 1968

The Dolly, Dolly Spy published in 1967

The Dolly, Dolly Spy published in 1967

The books were all thrillers featuring a reluctant spy called Philip McAlpine. The sex-hungry hero was suspiciously similar in appearance to the writer and Diment, it seems, was very happy for this blurred confusion to continue. Especially, the marijuana smoking and the preponderance of girls. Fleet Street seemed genuinely intrigued with the similarity between hero and author and Atticus in the Sunday Times wrote:

Adam Diment is 23; his hero, Philip McAlpine, is based on himself. That is to say he’s tall, good-looking, with a taste for fast cars, planes, girls and pot.

While the Daily Mirror wrote:

McAlpine is the most modern hero in years. He’s hip, he’s hard, he likes birds and, sometimes, marijuana.

Adam Diment smoking a 'hashish cigarette'.

Adam Diment smoking a 'hashish cigarette'.

More hashish with companion Suzie Mandrake in 1967

More hashish with companion Suzie Mandrake in 1967

Adam with the artist Tim Whidborne, Anne McAuley and Victoria Brooke. 1967

Adam with the artist Tim Whidborne, Anne McAuley and Victoria Brooke. 1967

Adam with Tim Whidbourne and a modelling Suzie Mandrake

Adam "I've got my eyes closed I promise" Diment with Tim Whidbourne presumably pretending to paint Suzie Mandrake.

On the inside cover of my copy of The Bang Bang Birds it says that “At present THE DOLLY DOLLY SPY is being filmed with David Hemmings as Philip McAlpine. A Stanley Canter/Desmond Elliott production for release by United Artists”. It’s worth noting that David Hemmings was at the height of his career at this stage – the premier of Blow Up was in October 1967 and both The Charge of the Light Brigade and Barberella were released in 1968.

However the film came to nothing. Whether filming ever took place or was halted half way through nobody seems to know. Although there are pictures of Adam seen with David Hemmings and one of the producers Desmond Elliott.

Adam with David Hemmings in 1967.

Adam with David Hemmings in 1967.

Adam with Desmond Elliott and Suzie Mandrake.

Adam with Desmond Elliott and Suzie Mandrake.

Adam Diment published his final novel Think Inc in 1971 and then he  completely disappeared from public view. I just can’t seem to find any information about him at all after this date. Except for one thing. Last year a few documents relating to Adam Diment (F.A. Diment) were released by the National Archives and amongst them were two anonymous letters written in March 1969 to the department of Exchange Control of the Bank of England.

Both the letters seemed to accuse Adam Diment of some kind of currency swindle involving the export of 2400 dollars which had been paid by the film producer Stanley Canter and one letter even mentions that there were suspicions that it may have been some kind of drug-deal.

anon-letter-one

anon-letter-two

Whether the currency swindle was anything to do with the non-completion of the film  of The Dolly Dolly Spy or was the cause of Diment’s disappearance, there seems to be no clue. However one of the letters imparts the important piece of information that Adam Diment, despite telling Town magazine otherwise, never seemed to have made the move to The King’s Road as he was still living in the tight-pink-trousers-fearing Fulham at 28 Tregunter Road.

Adam with Victoria Brooke and a Tiger Moth

Adam with Victoria Brooke and a Tiger Moth

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Ray Charles – Let’s Go Get Stoned

Muddy Waters – Champagne and Reefer

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Petticoat Lane market and Ras Prince Monolulu

Friday, July 17th, 2009
A conservatively dressed 'Prince' Monolulu in 1931

A conservatively dressed 'Prince' Monolulu in 1931

One of the best-known and flamboyant London showmen who pitched up at Petticoat Lane market every Sunday wasn’t Alan Sugar, who started his business career as a stall-holder at the famous East End market, but a black racing-tipster who grandly called himself Ras Prince Monolulu. In fact, from the 1920s until he died in 1965, and unless Paul Robeson was visiting the country, he was probably the most famous black person in Britain.

Petticoat Lane market has, in one form or another, existed in the East End for hundreds of years. The actual road that was called Petticoat Lane had its name changed to Middlesex Street in the 1830s -- the word ‘petticoat’ was deemed a little unsavoury for the young Queen Victoria -- but the original name has stuck to mean the general area.

Petticoat Lane Market in 1946

Petticoat Lane Market in 1946

Petticoat Lane, 1938

Petticoat Lane, 1938

Monolulu at Epsom in 1954

Monolulu usually wore an ostentatious head-dress of ostrich feathers, a multi-coloured cloak and gaiters, a huge scarf wrapped around his waist and was hardly ever without his huge shooting stick-cum-umbrella. Of course anybody who was considered remotely amusing in those days had to have a catch-phrase and Monolulu’s, heard by everyone at Petticoat Lane and race-courses around the country, was:

“I Gotta Horse, I Gotta Horse’.

Monolulu was born Peter Carl McKay in 1881 and was originally from an island called St Croix, now part of the US Virgin Islands in the West Indies. He arrived in Britain in 1902 and after a year of mostly menial work he managed to join the chorus of the first all-black West End musical show called In Dahomey.

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In Dahomey was initially staged on Broadway to limited success and after just 53 performances it was transferred to London’s Shaftesbury Theatre. The British public had literally seen nothing like it and the show became a huge sensation. The success was capped by a command performance celebrating the birthday of the Prince of Wales at Buckingham Palace, where it was heralded as “the most popular musical show in London.”

The musical featured an elaborate version of the African-American minstrel dance called the  ’Cakewalk’ and featured several hit songs as well as making stars in London of the principal actors.

Aida Overton Walker. Photograph by Cavendish Morton in London 1903

Aida Overton Walker. Photograph by Cavendish Morton in London 1903

George W Walker in 'In Dahomey' 1903

George W Walker in 'In Dahomey' 1903

George Walker and Bert A Williams

George W. Walker and Bert A. Williams

After In Dahomey came to an end there wasn’t much work for black musical actors in London (to say the least) and Monolulu travelled Europe as a fortune teller, violinist, singer, lion tamer and even a ‘cannibal’ in a travelling roadshow. He was in Germany when the first world war broke out and he found himself in a German Internment camp called Ruhleben (which, incidentally was a former race course) near Berlin for the duration of the war.

The Ruhleben Internment camp during the First world war.

The Ruhleben Internment camp during the First world war.

After he returned to England, he began work for an Irish tipster but quickly went solo and took to shouting “I gotta horse” after seeing the religious revivalist Gypsy Daniels shouting “I’ve got heaven” to attract his crowds.

Monolulu at Epsom on Derby day 1923

An almost Hendrixian Monolulu at Epsom on Derby day 1923

monolulu-1stjune32-at-epsom

Epsom, 1932

In 1920 Monolulu reputedly won £8,000 on the Derby when he put all his money on an unfancied horse called Spion Kop. It was a vast sum of money at the time and from that moment on he became a tipster for ever more.  When anyone bought a tip from him (at Epsom at the height of his fame he would charge ten shillings) he’d hand over a sealed envelope inside of which was the name of the horse written with careful handwriting on a piece of paper. He’d lean over to the punter and whisper:

“If you tell anyone, the horse will lose”.

It seemed that someone always told someone because Monolulu’s horse nearly always lost. Although no one ever complained.

Prince Monolulu at the Epsom races in 1927

Prince Monolulu at the Epsom races in 1927

Ras Prince Monolulu after his marriage to the actress Nellie Adkins in 1931

Ras Prince Monolulu after his marriage to the actress Nellie Adkins in 1931

Monolulu at the Queen's coronation 1953

Monolulu at the Queen's coronation 1953

Monolulu in 1956

Monolulu in 1956

From the 1930s any British film that featured a race course would include Monolulu playing himself. Eventually he appeared in over ten films with his last appearance being in a Billy Fury vehicle called, fittingly, I’ve Gotta Horse.

On Valentine’s day in 1965 Jeffrey Bernard, who was working as a racing journalist at the time, visited an ill Monolulu in Middlesex hospital wanting an interview. Bernard had brought with him a box of Black Magic chocolates and offered the famous tipster a ’strawberry cream’. Unfortunately, Monolulu started to fatally choke on the chocolate. Bernard backed out of the ward bidding farewell.

Monolulu lived for a lot of his life in Fitzrovia and there was once a pub named after him called Prince Monolulu at 28 Maple Street. Unfortunately a few years ago someone decided that a three-level cocktail bar called Potion was a much better idea.

illustrated-cover

Here’s an example of Prince Monolulu’s patter recorded in 1933.

Prince Monolulu -- I Gotta Horse

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The Gas Decontamination Centre at the Marshall Street Baths in Soho and Belita – The Ice Maiden

Wednesday, July 8th, 2009
A woman showering at a Red Cross decontamination centre 1939

A woman showering at a Red Cross decontamination centre 1939

Artists throughout centuries have often used mythical, historical or anthropological subjects as an excuse to portray the human nude, usually women of course. Carl Mydans – the Life magazine photographer – in rather an original way, used a WW2 Gas Decontamination centre in Westminster as his excuse. Great photos that they are.

undressing

Red Crosses in Mustard gas decontamination gear in 1939 probably before WW2 began.

Red Crosses in Mustard gas decontamination gear in 1939 probably before WW2 began.

nurses-scrubbing-off-mustard-gas

scrubbing-off-mustard-gas

removing-their-clothes

As the inevitable war with Germany came closer, the British government was terrified with the thought of gas or chemical weapons being used. The horror of the First World War meant that most countries, including Britain and Germany, were signatories to the Geneva Gas Protocol of 1925 which banned the used of chemical and biological weapons (although not the stockpiling of them).

The huge distrust of a re-armed Germany, however, meant that gas decontamination centres were set up all over London before the war. Seven of them in Westminster alone. The centres were often built in swimming baths and the only one in the West End of London was at the Marshall Street Baths in Soho. In the end chemical weapons were left unused throughout the duration of the war. It was said that Hitler was briefly blinded by mustard gas in the First World War and for this reason he was reluctant to use them.

What all the fuss was about. A Canadian soldier from WW1 suffering from Mustard gas poisoning

This was what all the fuss was about. A Canadian soldier from WW1 suffering from Mustard gas poisoning

phosgene-poster

mustard-gas-smells-like-garlic

lewisite

The Marshall Street Baths, which are just about still there after they were closed down in 1997 by Westminster council, were built between 1928 and 1931. They were paid for by public funds for the general health and well-being of local people. The building consisted of a main pool lined with Sicilian marble and a ’second class bath’ which measured 70ft by 30ft situated behind it.  The whole complex had a child’s welfare centre, a public laundry and public  bathing facilities.

When the baths were built a private tap or toilet was a luxury in Soho and private bathrooms were practically unheard of. Many Soho houses didn’t have electricity until well after the war and extraordinarily the last Soho house to convert from being gas-lit wasn’t until 1986.

Judith Summers in her book on Soho described children going for their weekly visit to the Marshall Street Hot Baths – a ritual that would have been the same for children all over the capital.

For many children this was not so much a chance to get clean as a social outing. Armed with their soap and towel, they would all set off together in a big gang, often at four o’clock on a Friday after school. Once inside, they would pay 2d or 3d for a Ladies or Gents Second Class bath. There were also First Class baths, which had the added luxury of providing the bather with a towel to stand on.

They waited on the old wooden benches until a bath was free and, after the attendant called out, ‘Next, please,’they would each go into a cubicle, while the woman set the small brass clock on the door and ran the bath from taps in the corridor outside. Her young customers were rarely satisfied with the temperature of the water, and their hackles still rise when they talk about her today.

kids-in-bath1

Marshall Street baths was right in the middle of London’s theatre-land and was often used for rehearsals and training for any of the productions that used water. On November 4th 1934 the pantomime impresario Julian Wylie held auditions for a new huge production of Cinderella that was to be put on at Drury Lane theatre.

Auditions for Cinderella at Marshall Street Baths 9th November 1934

Auditions for Cinderella at Marshall Street Baths 9th November 1934

Julian Wylie getting as close as he can to professionally inspect the chorus line

Julian Wylie, so as to professionally inspect the proposed chorus line, got as close to the edge as he dared. It was all to much though, and he died a few days later.

cinders34a

“It was a production worthy of Drury Lane. One of the scenes was a vast lake, into which marched an army of girls, entering the water and walking-down, down, down until they were entirely submerged and lost to sight beneath the surface of the lake. It was an exciting scene and provided some thrills at rehearsals too.”

Unfortunately, and after he had chosen all the chorus girls that were happy to get wet and just before the first performance of the pantomime, Wylie died. It was said, and I suppose there are worse ways of going, that he died as a result of an addiction to large quantities of ice-cream. I kid you not.

The programme for the Aquashow at Earls Court in 1948

The programme for the Aquashow at Earls Court in 1948

In 1948 more rehearsals took place at the Marshall Street baths, this time for a massive production that was to be put on at Earls Court called the Aqua-show. It starred the erstwhile Tarzan and ex-Olympic swimmer Johnny Weismuller but also the 24 year old British Olympic ice-skater, dancer and actress called Belita. Born in Nether Wallop in Hampshire, her real name was Gladys Olive Jepson-Turner but known to everyone as ‘Belita – The Ice Maiden’

johnny-and-gladys-jepson-turner1

Belita and Johnny Weissmuller rehearsing at Marshall Street Baths February 1948

Janos and Nancy (using the names they were born with) at Marshall Street.

Johnny and Belita at Marshall Street. Weissmuller won five gold medals at the Olympics in 1924 and 1928, broke sixty seven world records and retired apparently never losing a race.

belita-and-johnny-weissmuller-17feb48

Although a trained ballet dancer, she took up professional ice-skating in America ostensibly for the money (probably on the advice of a very controlling mother). She was lured to Hollywood and appeared in several highly-profitable but low-budget films such as Suspense, Lady Let’s Dance and Silver Skates. She also became famous for her underwater swimming and performing in the first ever (and last?) underwater ballet.

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belita-under-water

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Silver Skates released in 1943

belita-in-suspense

Belita in Suspense released in 1946. The director asked to her perform this particular move twice. She refused.

Belita in Gene Kelly's Invitation To Dance, 1956

Belita in Gene Kelly's Invitation To Dance, 1956

In the early 1950s there seemed to be a fashion for theatrical shows on ice and she became famous for her appearances in ice show spectaculars at the Empress Hall in London, starring with Max Wall, Norman Wisdom and Frankie Vaughan. She also had her own show, Champagne on Ice, put on at the London Hippodrome. After retiring, Belita died in the South of France in 2005.

photograph by David Warwick

photograph by David Warwick, 2005

photograph by David Warwick

photograph by David Warwick, 2005

In 1997 Westminster council decided to close down the historical Marshall Street baths for safety reasons. Originally they were going to demolish it completely but after being dissuaded, it is now due to be re-opened as part of a leisure centre, street-cleaning depot and an apartment block but with only the main pool remaining.

Marshall Street, July 2009

Marshall Street, July 2009

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June Christy with Stan Kenton – Angel Eyes

Billie Holiday – I’ll Be Seeing You

Frank Sinatra – Fools Rush In

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